VISUAL CRIME HC MORIARTY (C: 0-1-2)
In both of the stories that comprise Visual Crime, painter Rotart Sulli is given assignments for Visual Crime Magazine, each with a peculiar requirement: to stay in a hotel basement until his assignment is finished, and in the second story, he's told to place the finished work "in your back window- it will be seen." Jerry Moriarty's rough-hewn panels alternate with the Hopperesque paintings by Rotart Sulli, creating a portrait of the artist working alone in an uncertain world, creating stunning images that transcend the melodramatic stories they illustrate.
In both of the stories that comprise Visual Crime, painter Rotart Sulli is given assignments for Visual Crime Magazine, each with a peculiar requirement: to stay in a hotel basement until his assignment is finished, and in the second story, he's told to place the finished work "in your back window- it will be seen." Jerry Moriarty's rough-hewn panels alternate with the Hopperesque paintings by Rotart Sulli, creating a portrait of the artist working alone in an uncertain world, creating stunning images that transcend the melodramatic stories they illustrate.
Description
In both of the stories that comprise Visual Crime, painter Rotart Sulli is given assignments for Visual Crime Magazine, each with a peculiar requirement: to stay in a hotel basement until his assignment is finished, and in the second story, he's told to place the finished work "in your back window- it will be seen." Jerry Moriarty's rough-hewn panels alternate with the Hopperesque paintings by Rotart Sulli, creating a portrait of the artist working alone in an uncertain world, creating stunning images that transcend the melodramatic stories they illustrate.
